You will be amazed how easy this is once you’ve been through our process.Īll this and personal attention from Gillyanne and Jeremy (there are usually only 8 people on our Singing and the Actor Retreats, so there’s no possibility of you being overlooked or ignored). The finale of the course is practising your new-learned ability to create the voice qualities described in Gillyanne’s book. Gillyanne Kayes demonstrating the best vocal techniques on the Singing and the Actor Training Retreat
How the jaw, tongue and lips shape your resonance, and how to tune your resonance for different vocal styles.The most effective way to get breath in and out of the body, and what really controls the breath when we sing.How to control, and vary the vibrating ‘mass’ of your vocal folds to change volume levels, sound quality, and improve your vocal efficiency.The relationship between the breath and vocal folds.Movements of the vocal folds – how you can make different on and offsets in singing and speaking for variety of expression and improved vocal control in your chosen genre.Why movements of the larynx change your sound and how they can give you access to more vocal range.The fundamental concepts of vocal function presented in a user-friendly and practical way.Singing and the Actor book by Dr Gillyanne Kayes is a bestseller on healthy vocal technique On the Singing and the Actor Training Retreat you will learn: The Singing and the Actor Training Retreat was created with you in mind – it’s a powerful training Retreat where you can discover what you know and what you don’t know, and integrate your own knowledge of voice with cutting edge voice science and teaching techniques
You’d like expert guidance on how to create and apply different sounds to your own voice and your own repertoireīooks are great (and this one is one of the top vocal technique books on musical theatre or contemporary commercial music singing).Īnd yet sometimes you need something a bit more personal – just so you can check that what you’re doing is accurate and correct.You want to know what’s going to happen when you open your mouth to sing (but you’re not quite there yet).You want to know Gillyanne’s methods for maximising confidence in vocal range.
You want to understand contemporary vocal techniques and how to use them or teach them.You understand the descriptions of the sounds featured in Gillyanne’s book but you’re not sure if you’re doing them correctly.Questions on Singing and the Actor vocal techniques You’ve read Dr Gillyanne Kayes’ book Singing and the Actor and…
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